Size: 6 x 9
Pages: 296

Literary Studies
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Still in Print

The Southern Novel Today

edited by Jan Nordby Gretlund

Published: Sep 24 2010


Published: Sep 28 2010


Published: Jan 23 2013

OA Ebook
Published: Jan 23 2013


The inclusion of this book in the Open Carolina collection is made possible by the generous funding of

An insightful guidebook to some of the best examples of modern Southern fiction, as selected by an international group of critics

In Still in Print, eighteen southern novels published since 1997 fall under the careful scrutiny of an international cast of accomplished literary critics to identify the very best of recent writings in the genre. These essays highlight the praiseworthy efforts of a pantheon of novelists celebrating and challenging regionality, unearthing manifestations of the past in the present, and looking to the future with wit and healthy skepticism.

Organized around shared themes of history, place, humor, and malaise, the novels discussed here interrogate southern culture and explore the region's promise for the future. Four novels reconsider the Civil War and its aftermath as Charles Frazier, Kaye Gibbons, Josephine Humphreys, and Pam Durban revisit the past and add fresh insights to contemporary discussions of race and gender through their excursions into history. The novels by Steve Yarbrough, Larry Brown, Chris Offutt, Barry Hannah, and James Lee Burke demonstrate a keen sense of place, rooted in a South marked by fundamentalism, poverty, violence, and rampant prejudice but still capable of promise for some unseen future. The comic fiction of George Singleton, Clyde Edgerton, James Wilcox, Donald Harington, and Lewis Nordan shows how southern humor still encompasses customs and speech reflected in concrete places. Ron Rash, Richard Ford, and Cormac McCarthy probe the depths of human existence, often with disturbing results, as they write about protagonists cut off from their own humanity and desperate to reconnect with the human race. Diverse in content but unified in genre, these particular novels have been nominated by the contributors to Still in Print for long-term survival as among the best modern representations of the southern novel.

M. Thomas Inge on Charles Frazier's Cold Mountain
Clara Juncker on Josephine Humphreys's Nowhere Else on Earth
Kathryn McKee on Kaye Gibbons's On the Occasion of My Last Afternoon
Jan Nordby Gretlund on Pam Durban's So Far Back
Tara Powell on Percival Everett's Erasure
Tom Dasher on Steve Yarbrough's The Oxygen Man
Jean Cash on Larry Brown's Fay
Carl Wieck on Chris Offutt's The Good Brother
Owen W. Gilman Jr. on Barry Hannah's Yonder Stands Your Orphan
Hans H. Skei on James Lee Burke's Crusader's Cross
Charles Israel on George Singleton's Work Shirts for Madmen
John Grammer on Clyde Edgerton's The Bible Salesman
Scott Romine on James Wilcox's Heavenly Days
Edwin T. Arnold on Donald Harington's Enduring
Marcel Arbeit on Lewis Nordan's Lightning Song
Thomas Ærvold Bjerre on Ron Rash's One Foot in Eden
Robert H. Brinkmeyer Jr. on Richard Ford's The Lay of the Land
Richard Gray on Cormac McCarthy's The Road

Jan Nordby Gretlund is the chair of the Center for American Studies at the University of Southern Denmark and the author of Eudora Welty's Aesthetics of Place and Frames of Southern Mind: Reflections on the Stoic, Bi-Racial & Existential South. He is also editor of Madison Jones' Garden of Innocence and The Southern State of Mind and coeditor of Realist of Distances: Flannery O'Connor Revisited; Walker Percy: Novelist and Philosopher; Southern Landscapes; The Late Novels of Eudora Welty; and Flannery O'Connor's Radical Reality.

"Imaginatively conceived and well crafted, Still in Print is essential reading to understand contemporary writers' visions of the American South. Gretlund is a thoughtful and insightful guide to the relationship between earlier southern writers and those engaging the South's new social realities. The volume succeeds fully in its goals of leading readers to key texts and emphasizing the continuing significance of reading southern literature. Teachers of literature and southern studies will be grateful for the sheer usefulness of these essays that provide so much biographical and critical information."—Charles Reagan Wilson, University of Mississippi

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