Size: 6 x 9
Pages: 256
Illustrations: 32 illustrations
Sheng-mei Ma
The inclusion of this book in the Open Carolina collection is made possible by the generous funding of
"Sheng-mei Ma guides the reader on a journey to the West's East through a provocative reading of the unending cycle of desire, fear, and loathing that constitute America's Orientalist fantasies. Ma's deft deployment of yin–yang dialectics is incisive and insightful and important for understanding the current moment."—Robert G. Lee, author of Orientals: Asian Americans in Popular Culture
"The Tao of S is a poignantly crafted and eloquently argued monograph on the sources and evolution of American Orientalism and its influence on Anglo-America's China discourse as well as its impact on Chinese/Asians over the past 150 years. Shedding light on a critically important aspect of the ongoing discourse in the Asian American experience, this thought-provoking book represents a unique, constructive, and timely contribution to the fields of Asian American studies, Asian studies, transcultural and transnational studies, and literary criticism."—Xao-huang Yin, author of Chinese American Literature since the 1850s
"Employing wordplay, alliteration, metaphors, and other grammatical devices, Sheng-mei Ma cleverly fashions the Tao of S as a philosophy, based largely on the nineteenth letter of the alphabet, and emphasizing Sinophobia, Sinophilia, and the disemboweled 's' in Chinese (Chinee). The Tao of S provides an abundance of carefully researched, critically analyzed, and interestingly written material on the representation of the 'Chinee' during 150 years of American literature and film. Superb."—John A. Lent, Professor Emeritus, Temple University
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