In this first book-length examination of Native American poet, novelist, filmmaker, and short story writer Sherman Alexie, Daniel Grassian offers a comprehensive look at a writer immersed in traditional Native American, as well as mainstream American, culture. Grassian takes readers through Alexie's career, from his first collections of poetry, The Business of Fancydancing and Old Shirts and New Skins, through such novels as Reservation Blues and Indian Killer, to the recent short story collection Ten Little Indians. Grassian suggests that Alexie's oeuvre reflects his primary artistic challenge: how to write about Indians in a predominantly televisual country that distorts and complicates the importance and nature of ethnicity itself.
Drawing comparisons with such established Native American writers as N. Scott Momaday and James Welch as well as with Generation X peers, Grassian presents Alexie's work as equally informed by Native American culture and generic, mainstream influences. The picture of Alexie that emerges is one of a writer who is fiercely talented, intelligent, witty, and committed to helping readers understand contemporary Native American lives.
Daniel Grassian is the chair of the Department of Humanities and assistant professor of English at Nevada State College in Henderson. The author of Hybrid Fictions: American Literature and Generation X and Writing the Future of Black America: Literature of the Hip-Hop Generation.
"Sherman Alexie's literary works receive serious academic examination in [this] intriguing little volume."—Seattle (Wa.) Post-Intelligencer