Size: 6 x 9
Pages: 200
Illustrations:
edited by Paul Allen Miller
The inclusion of this book in the Open Carolina collection is made possible by the generous funding of
"Digitalizing the Global Text is a vibrant volume that explores the paradoxes of the local, the global, and the universal, with particular emphasis on the digital humanities. This wonderful collection of essays from an accomplished global group of contributors will be of wide interest to humanities scholars across the world."—Jeffrey R. Di Leo, University of Houston, Victoria
"Digitalizing the Global Text stages a crucial intervention into discussions and debates around globalization and digitalization. The essays in the volume reflect on globalization not from the vantage of its giddy heyday but from the culture it has left in its wake in our own era of renewed walls, nationalisms, and biological racisms. How can we begin to imagine anew a globalization and a digital sphere that does not merely translate into capitalist profiteering? This is the crucial question at once asked and answered by this collection."—Christopher Breu, author of Insistence of the Material
"Traversing historical periods and national boundaries, with topics ranging from Plato to 'Gangnam Style' and beyond, the essays in Digitalizing the Global Text represent a vast array of perspectives while resisting the tendency to fetishize or hype the global. This collection represents a major contribution to the study of world literatures and cultures today."—Robert T. Tally Jr., Texas State University
"Digitalizing the Global Text is a splendid contribution to the on-going work of challenging globalism. Refusing to settle for its dominant neoliberal form, marked by the digitization of knowledge and homogenization of cultural production, this volume pursues alternative forms of life—recalcitrant ones—that do not sacrifice the singularities of the local in their illustration and enactment of the global."—Zahi Zalloua, Editor, The Comparatist
"This is a timely and forthright collection on what happens to the cultural within forms of globalization and globality. There are vital contributions on the global digital that throw light on how the conditions of cultural circulation and appreciation have changed in the contemporary period. Essays address not just the impact of popular culture (K-pop, for instance) but also attempt to understand how thinking itself is recalibrated between the shifting scales of local and global. A template for global cultural critique."—Peter Hitchcock, Baruch College, CUNY
"This volume addresses one of the most urgent questions of our time: can esthetic production redress the economic and cultural homogenization of an emergent global digital public sphere underwritten by an imperialist capitalism? These essays articulate literature's imaginative re-ordering of ontological and epistemological structures as a bulwark against both globalizing erasure and nationalistic narrowness."—Symposium, A Quarterly Journal in Modern Literatures
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